This Hunger Games prequel accomplishes a rare feat.

At least the camera goes through walls?

Sofia Coppola’s portrait of a marriage is her most intimate film.

Martin Scorsese reckons with history in his latest.

Emerald Fennell’s sophomore feature is unhinged in the best way.

Powell may just be the next Tom Cruise.

Anna Kendrick’s directorial debut is one of the better actor-turned-director efforts at TIFF so far.

Annual Christmas watch status achieved.

Kate Winslet stars in the biopic/war drama.

A better punny title than No Hard Feelings, that’s for sure.

It’d be unwise for a fish to take this bait.

“Heil Hitler. Et cetera.”

Justine Triet’s Palme d’Or winner is a riveting mystery.

It’s better than Black Adam.

Maybe we should reinvent the wheel.

With Oppenheimer, Christopher Nolan delivers the best film of the year.

This Ken loves movies, especially good ones like Barbie.

Tom Cruise defines what it means to be a movie star.

Really, we’re doing this again?

There are things to like here, but not enough to outrun confusion.

The actors make the movie.

Wes Anderon’s existential crisis makes for a damn good movie.

Pixar goes romance for their latest.

They lied. It’s not the best of all time, and isn’t even close.

A movie that doesn’t know what genre it’s in.

The best thing I.S.S. did was make me want to watch Interstellar.

Stan Lee doesn’t do anything new but is engaging enough to make it work.

Oh, to have Austin Abrams’ dance floor confidence.

A personal journey for this filmmaker unpacks Kevin Smith’s film.

Tessa Thompson puts on a one-woman show.